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Styles make fights

Ah, that classic boxing axiom. It's very true but don't start using it as a cop-out to mean 'anything can happen'. When you've seen the fighters a few times you can usually tell who's gonna win based on how the styles clash. There's a reason Crocop kayoed Sapp but Hoost didn't, even though Hoost always beats Crocop. There's a few core skills in mma where if you can do it well, you're set. Let's run down them.

When you can punch

Punching in mma has to be treated a bit differently to other skill sets. There's world class wrestlers in mma, guys like Matt Linland and Dan Henderson. World Champion BJJ guys compete, like BJ Penn and Royler Gracie. But due to various reasons, mostly financial, its almost unheard of for even a moderately skilled boxer to enter the ring with open finger gloves. Consequently its easy to carried away with thinking a guy can punch just because he looks good hitting grapplers. Alot of fighters will hit the bags and tell the interviewer they have 'been working on my boxing', but this isn't a skill you can just acquire overnight.

Boxing isn't mma, and the principle problems a boxer faces are: i) the jab isn't very useful, ii) kicks mess up your range, iii) everytime you step in behind a punch, you are vulnerable to a takedown, iv) hit and hold is legal. So apart from the obvious fact that a boxer needs to adapt his style, there is also a question of what type of boxer is suited to mma.

Putting it simply, punchers do better than stylists. It's the boxers with one-shot power that do well (Vovchanchyn, Liddel, Pulver, Ludwig) . That's because the window of opportunity is that much shorter when a guy can shoot on you, and to effectively ground and pound you need power without relying so much from your legs and hips. Due to the dearth of pro boxers in mma, the top punchers are usually kickboxers rather than boxers per se

When watching the tapes, look for the basic boxing principles. Is the fighter putting weight behind the punches, or is he just swinging his arms and hoping for the best. As a general rule you can't have power behind straight shots unless you're moving forward. A guy can throw the prettiest shots in the world but if he's moving sideways or backwards, his opponent is gonna walk through them. Watch somebody like Vanderlei to see how weight gets behind punches.

Defensively, mma guys have alot of bad habits such as dropping the hands and raising the chin during exchanges. Look for that in a fighter, and if he's going in against a bomber, bet your money that the bomber is gonna find that raised chin at somepoint during the fight. Brazilian grapplers are well known for a particular style of flurrying, where they raise there chins then step forward throwing straight punches, switching stance with each shot and trying to generate power purely from the shoulders. Sperry vs Ninja is a good example.

Watch how a guy backs up under pressure. Good boxers retreat at an angle, or with fully sideways motion. The reason being that the guy coming in has to stop his body motion, reset his feet, and then start again. Bad boxers retreat in a straight line, so the attacker just keeps coming. Vitor Belfort vs Vanderlei Silva is a great example (hey, I didn't say Silva's defense was good!).

The general principle regarding a puncher is that he's always got that chance. If his opponent is sloppy, or prone to fatigue, or gun-shy, then a puncher can do a real good job of intimidating him and winning the fight. Vovchanchyn vs Yvel anybody?

When you can submit

Submissions aren't as common at top level as they used to be and it is a sign of a very good fighter if he can submit a top ten guy. Wearing somebody down enough for a decision, and actually making him cry uncle are two very different things. Like a puncher, a submission guy is always in the fight till the last bell, but unlike a puncher, a submission guy doesn't put the fear of god into you. Generally speaking, you tap and then you go home. You don't get punched into hospital. So there's a psychology element to consider. A guy that goes balls-to-the-wall against grapplers may go into his shell against a puncher.

But of course knowing you can submit guys changes your game plan. When you're underneath a wrestler or puncher, he's gonna be thinking whether to risk overextending himself trying to hit you. Whereas if you don't have the subs, he's just gonna chew you up. Guys like Nogueira are so good at subs that its the guy on top that is trying to run and hide.

The general rule with submission specialists is that they are great against sloppy guys or one dimensional guys, but vulnerable to others. How a submission guy does depends alot on the type of opponent, and also the time-limit. Generaly speaking, longer rounds help the submission guy.

Vs a boxer: Takedown, mount, a few punches, submission. Put the money on the sub guy

Vs a boxer with takedown defense: Ouch! Expect the sub guy to start strong but get gradually worn down as his tackles are repelled and he takes a few shots each time. After a while his tackles will become slow, predictable desperate rushes and he'll get tagged alot till he drops.

Vs a careless wrestler: The sub guy is put onto his back, stays comfortable in guard, and then takes an arm bar or triangle when he's ready.

Vs a good wrestler: The sub guy spends the full fight on his back eating punches, while never quite able to get the sweep or submission.

When you can takedown...

....you bore the shit out of me, but that's another story. A good takedown lets you choose where the fight will be fought, and that is a huge advantage. If you can takedown a good puncher you take away almost all his tools, as even a natural puncher can't do much damage from his back. A good takedown doesn't do much against a submission guy, because once he's there you're both happy.

Takedown artists have really come into their own since the adoption of short rounds and referee stand-ups. A Matt Hughes-esque pattern of takedown-break-takedown-break-takedown-bell lets the wrestlers pile up the points and coast to decisions. Cages help too, because the guy on top can push the other guy's head into it, making it easier to hit.

When you can ground and pound

I see the sport moving more and more towards favouring a good ground and pound game. Skillful though it is, g'n'p represents a degredation of the finer points of the sport. It's the offside-trap of mma. Lots of the higher technical moves in grappling become useless when someone is punching you and when someone beneath you is trying something odd, you have the 'when in doubt, punch them out' option.

With judges, rounds and the restrictions on elbows and headbuts, ground and pound is normally for points rather than stoppages. You hold a guy down, hit him a bit, then let the ref stand it up. The bottom guy is usually too savvy to get himself punched out from there.

In terms of predictions, a good takedown artist with ground and pound is a fairly safe bet under American rules (cage, rounds, stand-ups). If he's matched with a guy with a very good guard then it can all change, but not normally at the world level.

Open vs Tight

The refers to the overall stylistic approach of a fighter. Sakuraba, Sato, Mir, Fedor, Nogueira are all open. Hughes, Ortiz, Miletich, Randleman are tight. Watch for how much space a fighter leaves, how many chances he takes, how often he tries to finish and you'll get the hang of it. Open guys rely on movement, space, inspiration, and aggression to put them in a position to end the fight. Often the end comes only seconds after there's any danger. Tight guys look to slowly work into an advantageous position, trying to reduce movement to it's minimum, then wear you down with attrition.

While the open style is usually far more fun to watch, its the tight guys that usually win. Think of it this way. When two armies charge at each other across a battlefield, the advantage goes to the side with more aggression and more ability. When one army charges and the other sits in a trench with a machine-gun, the advantage is with the defender. Much the same with fighting at a high level. Attacking involves risk. When the open guy steps in behind a straight right, the tight guy can just cover up until he's got the timing down for a takedown. When the open guy curls up into an armbar from guard, the tight guy stacks and passes.

At low skill levels, the open guy will usually find the tight guy out of position at somepoint during the fight and find a way to exploit it for a finish. At high skill levels, the tight guy's positioning is spot on and the open guy just gives him space to make his incremental advances. Sad, but true. Watch Hughes vs Newton II.

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